The continuation of the international exhibition project within the Fotograf Festival,that is a meditation on the existence of an Eastern European identity, focuses on film and video by three artists generations. The five rooms structure continues in the developed line of oscillating positions of shame, desire for belonging and proud arrogance as definitional positions of a wounded identity. The five-room museum of infamous national histories, therapeutic reenactment of surprise, disappointment and humiliation, freely reprises the evolution of the past thirty years through a series of false liberation feelings.